Back in the 1980s Bicycling Mag did a comparison article with two different tubing brands (IIRC it was 531 and Col SL, 531 being Manganese/moly and Col being a Chrome/moly). They tried to mimic the tube specs best possible. The same builder made both frames and painted one blue and the other pink, no other markings like stickers. The mag's staff tried to ascertain which was which. Again IIRC, the results were that no rider was able to say which was which with certainty. Granted the differences were less then what you are looking at with current tube choices but the point was made. Steel alloys are so close to their structural performances, Yong's Modulus and such that it is considered, as far as riding quality goes, the various materials perform pretty much the same. Now as far as other qualities like formability (and denting in under this umbrella), hardness (think filing and cutting) and reaction to heat levels and cycles are different.
This discussion is much like what I had years ago when I was into home stereos big time. Then the tape deck offerings were opening up with the classic open reel deck being challenged by both 8 track and cassette decks. It was generally thought that with the narrower track width that the cassette and the 8 track needed for their compact size made their reproduction inferior to the big reel to reel decks and at first this was quite true. But soon the recording head technology advanced and the skinny tape devices were thought to be superior in time. But the comparisons were not on an even playing field. The advances in heads were not applied to the reel to reel decks (or at least not at that time).
I suggest that these discussions about tubing differences in ride quality is much like that of tape recording back then. The field is not level with tubes from each type of material not being offered in the same dimensions and shapes. Nor is the marketing of these materials the same. These days it would be impossible to make two frames of identical specs, one from Zona and the other from Omnichrom. Or one from current 531 and the other from 853. Also if one did make the two frames the mere shaping/diameter differences would make the test not a true double blind one. As your comments prove we know that pre conceived notions can be stronger then actual sensations.
Your comments about forming tubes and choosing Zona is all about hardness, brittleness and such and I agree with this completely. Andy (who just crashed and bent up his 49th frame and now is planning
#50 )
Another thought- The 8 track tape width was a better recording design with it's slightly wider tape and thus track widths. But it was the packaging of the cassette that won over in the marketplace. So sometimes mere numbers are out done by more practical considerations.
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