Various points I cannot begin to form into one cohesive statement:
I own a hand built bicycle. I just purchased a semi-bespoke suit (admittedly, machine-made overseas). I try to live on a musician's wage.
Stolen from Facebook:
A lady calls the Montreal musician's guild to enquire about the cost of booking a five piece band with a singer for a wedding...
The rep says "Off the top of my head, roughly two thousand dollars".
She says "What? For music?!?"
The rep responds "Ma'am, I'll tell you what. Call the plumbers' union and ask for six plumbers to work from six to twelve o'clock on a Saturday night. Whatever they charge you, I'll work for half of that."
She calls back later on and says "I get your point"...
The standard cover for a local band's show in the 1970's was $5. The standard cover for a local band's show today is still $5. $5 does not buy what it used to.
Taking a file of 1's and 0's does not feel the same as walking into a record store, putting and album in your coat, and leaving without paying.
I am about to release a new album. The product of 3 years of work. Countless hours writing, recording, and mixing. This all costs money. At this point, a record company will not take on a new act that they cannot mold into an already proven product. They will not fund any venture unless the money is guaranteed. So, what am I to do? I'm giving it away. Those 14-hour studio sessions, piggybacked on top of 8-hour work days, catching naps on a control room couch whenever possible, will be coded into 1's and 0's and put out into the ether. I'm giving up on breaking even in hopes that someone, ANYONE listens. What used to be a skill, a craft, whatever, has turned into a hobby.
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There it is. Its been kept a secret for quite a while now. For what, I'm not sure. 1's and 0's; seems a bit anticlimactic. It'll be downloadable on April 1st (seems appropriate) and people can pay what they wish. For the simple act of downloading, you'll get another bunch of 1's and 0's that will render an album cover and liner notes. If any money is made, it'll be dumped into producing physical copies to languish in failing businesses called "record stores."
Me? I'm just going to move on. I've got another completed EP to worry about. I've got another full length to start writing. I have gigs to play. After the door guy, the sound guy, the bartender, and the car service is paid for, I'll take what's left of the $5 per head (split amongst the band, of course) and consider myself paid for set up and tear down. I play for free.
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