TJ Thompson, a luthier based just outside Boston, has become a great friend over the last 23 years. TJ specializes in the restoration of C.F. Martin guitars from the late '20s and instruments of the "Golden Era" of Martin guitars (mostly the '30s). He knows more about those guitars than pretty much any man alive. He's shepherded me through acquiring a couple '30s Martins and handles their care and feeding, so to speak.
He also builds guitars, which is where this post comes in. At least 10 years ago, I told TJ I'd like to buy one of his handbuilt guitars that replicate Martins from the '30s. In my case I wanted the highly decorated -45 series with lots of abalone pearl inlaid (tastefully, I believe) around the edges of the top, back and sides. The guitar would be the Orchestra Model size, called an OM in the Martin nomenclature, thus it'd be an OM-45. Original OM-45s in good condition, of which there are few, sell for over $200,000, btw. Contrary to the construction of modern Martins, this one would have an ebony truss rod supporting the neck and would have "bar" frets. All of these features, when replicated in an OM-45, pull together about 20 lost arts. (And there's a small community of luthiers who are savvy about these things, including TJ.)
TJ has become a master of CNC-created components in one segment of his business (think R. Sachs, developing parts for craftsmen), but the guitars he builds starts with this, including mine:
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That's a section of a red spruce log, off of which he split a slice and then made a book-matched top. This one happens to have been from the Adirondacks.
Now the top looks like this:
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You can see the red spruce top, the ebony fingerboard, the bar frets and the pearl "purfling" around the perimeter of the top.
TJ used Brazilian Rosewood for the back and sides. Here's the back:
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This OM-45 was strung up last weekend and I picked it up last Weds. It sounds absolutely magnificent. I value my friendship with TJ at least as much as the guitar. He's a craftsman at the absolute top of his game. He's so involved in restorations that he builds guitars extremely rarely if at all, so I got lucky. Hope you enjoyed, Tim
Inlaid headstock:
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