I think that most vises, indeed most tools, would have interesting backgrounds; but vises? There's something elemental about simply holding the work. If walls, and tools, could talk. At perhaps 40 years, mine isn't a particularly old vise. It's not a heavy, high quality casting from a pedigreed tool company, wasn't used in a master craftsman's shop and is on the small side of things though it's plenty large enough for framebuilding; it's a very nice size for it actually and I prefer the rectangular guide rail to the round types; my tubing blocks rest on it nicely when unclamped and in-between tasks.
It belonged to a farm boy from Austell, Georgia who, not many days after December 7, 1941 figured that flying airplanes sounded preferable to the infantry. With that single, well, only a notion really, my father took the on-ramp that would frame the rest of his life and make mine possible. That's SOP of course; the fundamental arc of everybody's life boils down to a particular decision or two, often random and hopefully fortuitous ones. But this was his.
My father, like so many others of his generation and station in life, was someone who mended things when they broke. He didn't build things for fun or recreation. He built and repaired things because it was necessary to living. I think that's why I feel more kinship, and a sober respect really, for the unnamed, forever unknown, garden variety craftspeople over the ages, than I do the "masters". Whatever needed doing, they did. Often not the prettiest work but sometimes quite remarkable and ever adequate to the task. And when not? Fall down six times. Get up seven.
My father in the unpleasant era of his vocation.
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My father's vise.
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